Books published by publisher Green World Classics

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud.In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft.In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes?Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.

In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft.In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes?Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.

In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft.In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes?Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.

In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft.In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes?Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.

Common Sense is the timeless classic that inspired the Thirteen Colonies to fight for and declare their independence from Great Britain in the summer of 1776. Written by famed political theorist Thomas Paine, this pamphlet boldly challenged the authority of the British government and the royal monarchy to rule over the American colonists. By using plain language and a reasoned style, Paine chose to forego the philosophical and Latin references made popular by the Enlightenment era writers. As a result, Paine united average citizens and political leaders behind the central idea of independence and transformed the tenor of the colonists’ argument against the British. As the best-selling American title of all time, Common Sense has been eloquently described by historian Gordon S. Wood as "the most incendiary and popular pamphlet of the entire revolutionary era."Thomas Paine (1737–1809) was an English-American political activist, philosopher, and revolutionary. As one of the Founding Fathers of the United States, he authored the most influential pamphlets at the start of the American Revolution and inspired the colonists to declare independence from Great Britain in 1776. His ideas reflected Enlightenment-era rhetoric of transnational human rights and the separation of church and state. He has been called a corset-maker by trade, a journalist by profession, and a propagandist by inclination.

The procession that crosses Chaucer's pages is as full of life and as richly textured as a medieval tapestry. The Knight, the Miller, the Friar, the Squire, the Prioress, the Wife of Bath, and others who make up the cast of characters -- including Chaucer himself -- are real people, with human emotions and weaknesses. When it is remembered that Chaucer wrote in English at a time when Latin was the standard literary language across western Europe, the magnitude of his achievement is even more remarkable. But Chaucer's genius needs no historical introduction; it bursts forth from every page of The Canterbury Tales.If we trust the General Prologue, Chaucer intended that each pilgrim should tell two tales on the way to Canterbury and two tales on the way back. He never finished his enormous project and even the completed tales were not finally revised. Scholars are uncertain about the order of the tales. As the printing press had yet to be invented when Chaucer wrote his works, The Canterbury Tales has been passed down in several handwritten manuscripts.

The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.[6]

The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.

The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.[6]

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.